Run your next show without the last-minute chaos.
stagewixo helps UK venues and touring crews coordinate set preparation, lighting control, camera placement and sound checks, so every live or recorded show goes out exactly as planned.






Built for every stage
From a single studio recording to a full arena broadcast, our crews plug into your production with the same reliable process.

One production partner, every department covered.
What We Cover
Set Preparation
Build schedules, load-in plans and set piece checklists so the stage is ready on time, every time.
Lighting Control
Rig, program and operate lighting states that match the mood and pacing of your show.
Camera Placement
Position and cable multi-camera setups for clean coverage across wide, mid and close shots.
Sound Checks
Line check every microphone and monitor mix before doors open, with no surprises during the show.
Live Show Workflow
Coordinate cues between stage, lighting, camera and sound teams in real time from the control desk.
Recorded Show Workflow
Capture clean multi-track audio and multi-angle video ready for editing and delayed broadcast.
Our production workflow
Every stagewixo engagement follows the same four stages, whatever the size of the show, so nothing falls through the cracks between departments.
- Step 1
Plan
We review your venue, run of show and technical requirements to shape the right crew and kit list.
- Step 2
Prep
Set pieces, lighting rigs, cameras and sound systems are built and tested ahead of load-in day.
- Step 3
Rehearse
A full technical run confirms cues, camera moves and sound levels before your audience arrives.
- Step 4
Run
Our crew operates every department live, keeping the show on cue from open to closing curtain.
Service packages
Fixed-scope packages for common show formats, with custom quotes available for anything larger.
Stage Essentials
Lighting check, sound check and one operated camera for small venues and studio recordings.
Full Production
Full lighting design, live sound mixing, three cameras and a dedicated stage manager on the day.
Broadcast Elite
Custom lighting rig, broadcast-grade multi-camera coverage and simultaneous live and recorded output.
A closer look at every department
Lighting
Camera
Sound
Set Design
Lighting
SoundWhat producers say
Feedback from the venues and production teams we work alongside across the UK.
“stagewixo ran our entire technical get-in without a hitch. Lighting cues and camera positions were sorted before we even opened doors.”

Graham Fielding
Theatre Production Manager
“The crew slotted straight into our schedule and kept every department, from sound to set, working from the same cue sheet.”

Chidinma Okafor
Live Events Coordinator
“We needed a live simulcast and a clean recording at the same time. stagewixo delivered both without adding extra crew on our side.”

Arjun Mehta
Broadcast Technical Lead
Let's prep your next show
Tell us about your venue and run of show. We'll come back with a crew plan and a fixed quote within one working day.
Contact Our TeamAddress
Ringmer Road, Worthing, BN13 1DZ, United Kingdom
The crew behind stagewixo

Devan Iyer
Lead Production Consultant

Rebecca Stone
Technical Director

Marcus Bailey
Lighting Designer
Cable & Rigging
Set & Stage
Camera & BroadcastFAQs
01How far in advance should we book a crew?+
For most single-day shows we recommend booking at least three weeks ahead so we can plan lighting, camera and sound around your venue. Larger multi-day productions typically need six to eight weeks.
02Can you support both a live audience and a recorded stream at the same time?+
Yes. Our Broadcast Elite package is built specifically for simulcasting a live show while capturing a clean multi-camera recording for later editing.
03Do you bring your own lighting and sound equipment?+
We travel with a core kit of lighting fixtures, mixing consoles and cameras, and can supplement with venue equipment where it makes sense. We confirm the full gear list during planning.
04What happens if something goes wrong during a live show?+
Every live engagement includes a technical rehearsal and a dedicated stage manager on cue, so issues are caught and resolved before the audience notices.
